
She Embraced a World of Hurt Boston Globe To observe that a French actress is beautiful is ordinarily an exercise in the incredibly obvious. But given Marion Cotillard's titanic and tortured performance in "La Vie en Rose" - in which she twists, bends, and mutilates her physique to re-create the legendary chanteuse Edith Piaf - the transformation is unforgettable. Lithe, buoyant, and with eyes so blue they put the Pacific to shame, Cotillard had just won a best actress Golden Globe when interviewed here.
A Note-Perfect Piaf Los Angeles Times Sure, makeup makes a modern actress look uncannily like a great French chanteuse from an earlier generation. Cotillard expertly mimics Piaf's gestures, at least the ones we know from what was caught on camera in the singer's movie appearances, filmed concerts and interviews. Maybe Piaf was as childish as Cotillard portrays her, although I doubt it. The singer probably could be as hysterical. But none of this explains Cotillard's incandescent performance or her fabulous musicality.
Actress Playing Piaf Wins French Prize Reuters Oscar-nominated actress Marion Cotillard took France's top cinema award on Friday, winning a Cesar for her virtuoso portrayal of chanteuse Edith Piaf in "La Vie en Rose." "You changed my life, you changed my life as an actress, you changed my life full stop," she said, fighting back tears.
'La Vie en Rose' Director to Shoot in U.S. Deep South AFP Speaking from Los Angeles, Dahan said the movie was "a surrealist drama set between Kansas and Louisiana," and would "normally" star Forrest Whitaker and "perhaps Sharon Stone". An Oscar win "gives me access to all the actors I want today, and that's a good thing," he said.
February 28, 2008
"La Vie en Rose," one critic wrote, "has an intricate structure, which is a polite way of saying that it's a complete mess."
That's a good way to describe the true life of Edith Piaf, the Parisian torch singer whose up-and-down life was the subject of the film that earned Marion Cotillard the Best Actress Oscar on Sunday night.
It's fair to say that Piaf's fortune was cast when she was born in 1915 on a policeman's cloak under a lamppost in the Rue de Belleville, a working-class district in Paris's 20th Arrondissement. She spent a rootless childhood mostly unsupervised by her alcoholic-prostitute mother and her street acrobat father.
In 1935, she was discovered singing on a street corner by Louis Leplée, owner of Le Gerny's, one of the classiest cabarets on the Champs Elysées. There was little that he wanted to change about her singing, but he did want to change her name. So he came up "Piaf," the Parisian argot name for "sparrow."
On opening night, she came onstage in a black, hand-knit dress and a borrowed scarf to hide a missing sleeve. The crowd was initially indifferent to the 4' 8" waif, but when they heard the rich voice that came out of that diminutive body, they were instantly enthralled. She left the stage to raucous applause and soon became known as "La Môme Piaf," street slang for "the little sparrow."
In the first of a bust-to-boom-to-bust-again cycle that would define her life, Leplée was murdered and Piaf was questioned because of her ties to her former street cronies, including a pimp who may (or may not) have had a claim on her earnings. She was eventually cleared, but her career faltered. Many of her newfound friends, like Maurice Chevalier, deserted her. Only her street smarts, perseverance and a bit of luck kept her going.
She helped Jews evade capture, was actively involved in the French Resistance, but was the Gestapo's favorite nightclub singer in Occupied Paris.
In 1945, she wrote "La Vie en Rose." Her friends were initially dismissive of it, saying it was the weakest part of her set. She put it aside for a year, but then dusted it off. It was an instant hit and she would go on to write 80 more songs.
She survived two horrific car accidents - but became addicted to morphine.
When she finally found her one true love - boxer Marcel Cerdan - he was killed in a plane crash on his way to see her in New York.
She gave her last performance - to rave reviews - in September 1962, at L'Olympia in Paris. Six months later, she slipped into a coma from a life of hard-drinking and hard-living. News of her death in October 1963 caused a national outpouring of grief. Tens of thousands of fans flocked to Paris to follow her coffin to its final resting-place in the Père Lachaise cemetery. Piaf's tomb remains one of the most visited sites there.
More than 30 years later, she continues to inspire the French music scene. In fact, even if you haven't seen "La Vie en Rose," you've probably heard her. She's the woman who's singing as the soldiers in "Saving Private Ryan" prepare for the final German onslaught.
Even with death a near certainty, they somehow found comfort in her voice. Now that's what I call "enchanting."


Edith Piaf's Paris Little Sparrow In our Web pages we concentrate on providing information on Edith Piaf, the great French singer of the earlier part of the last century. We use photographs of the places in Paris she knew and with which she had associations.
The Web Site EdithPiaf.com This site features a music library, a bookstore, poster gallery, a film library, several links of interest and a shop.
Non, je ne regrette rien YouTube Video of Edith Piaf singing Non, je ne regrette rien in 1961.
La Vie en Rose site edithpiafmovie.com The official site of the Oscar-winning film, with trailers, features, photos and bios.
Who's the Best Torch Singer of All Time?
davidv said...
I love the way that everything is about Edith Piaf today. You folks should make this a lense on Squidoo. It's a great resource.
critic said...
I got chills listening to the several UTube selections, Thanks John for the bio on a person I never really "knew" that well. Will definetly see the flick--wish I knew the French language better.